2467 безплатни аудиофайлове за "Meinen Jesus Lass Ich Nicht (hammerschmidt Bach)"

Bach, Cello Suite no. 1 in G major, BWV 1007, III. Courante. Interprété par Pablo Casals.

Bach, Cello Suite no. 1 in G major, BWV 1007, I. Prélude. Interprété par Pablo Casals.

Ricercar a 6 from the Musical Offering bars 29-31

Bach, Cello Suite no. 1 in G major, BWV 1007, II. Allemande. Interprété par Pablo Casals.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.

Bach, Cello Suite no. 1 in G major, BWV 1007, VI. Gigue. Interprété par Pablo Casals.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Example of bitonality. BWV 803. Klavierubung Part III, Duetto II.

Bach - Well-Tempered Clavier, Book I, Prelude I (C major, BWV 846), opening bars.

Label: Disque "Gramophone" Cat. no.: DB 3703 Order number: 2EA 7144 Matrix/StamperID: 2EA 7144I / M6-97965 1st release date: 1939 1st recording date: 23 November 1938 Place of recording: EMI Studio No. 3, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Antonio Vivaldi (1678-1741) Music arranger(s): Johann Sebastian Bach (previously attributed to Wilhelm Friedemann Bach)[1] Performer(s): Piano: Alexander Brailowsky (1896-1976) Vocal range: instrumental Title/Work: Concerto in D minor (original work: Concerto in D minor from L'Estro Armonico, Op. 3 No. 11) (published 1711) Content: Part 1: Maestoso Genre(s): Organ work (concerto) Comments: RCM and ELP

Example of leading-tone triad (viio) and secondary leading-tone triad in Johann Sebastian Bach's Chorale: Gott der Vater wohn' uns bei (BWV 317). Identified by Forte (1979) ISBN 0-03-020756-8 as BWV 748, which is currently attributed to Johann Gottfried Walther.

Male voice says jesus.

Mpumc praiseteam 6-9-16.

Mpumc choir 6-9-16.

Picardy third in Bach - BWV 81.7, mm. 12-13. Created by Hyacinth (talk) 00:21, 13 July 2011 (UTC) using Sibelius 5.

Listed by the w:United States Air Force Band at The Air Force Strings Music page as "Air", which might be confused with Air", but actually Air on the G String. From the 2000 album Collage, recorded at The United States Air Force Band Recording Facility, Bolling Air Force Base, Washington, D.C. 18-26 May, 2000. Catalogue Number BOL-0006, First Lieutenant Keith H. Bland, Conductor. Performed with 7 first violins, 5 second violins, 4 violas, 3 cellos, 1 bass and 1 accordion, according to the liner notes

Mensch anna, echt ey!.

Lobet den Herrn, alle Heiden (BWV 230) for voice (SATB) and continuo by J. S. Bach (1685–1750) from Edition Peters, 4592.

Bach Fugue XXII in B flat minor BWV 869, closing bars

Free use.

Pr. Marcelo barros - domingo - 19-05-13.

Bach's Invention No. 8 in F Major, BWV 779 performed by the Strolling Strings of the United States Air Force Band. Track 10 from Air Force Strolling Strings 40th Anniversary (1994).

Ich bin zurück.

Ave Maria composed by Charles Gounod. Ave Maria was composed based off of the harmony and texture of Johann Sebastian Bach's Prelude No.1 in C Major from Well-Tempered Clavier Book I (BWV 846).

Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well Tempered Clavier, Book I, m.1-2. Created by Hyacinth (talk) 04:48, 4 July 2011 (UTC) using Sibelius 5. Bahasa Melayu: Contoh ton dengung (pedal tone). Fail asal wiki:en ialah Domain Awam, calon Wiki Commons. Diubah daripada format mid ke ogg.

Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well Tempered Clavier, Book I, m.1-2. Created by Hyacinth (talk) 04:48, 4 July 2011 (UTC) using Sibelius 5.

1 sound, beeem.

Sample of a quick drum hit from a live noise music recording.

Class a female saying- lord jesus. Voices from the grave.

Ave Maria in Due performed by the Concert Band of the United States Air Force Heritage of America Band. This recording was done at Ogden Hall at Hampton University. This was the first Christmas/Holiday CD accomplished under Captain Lang’s baton. Track 6 from A Christmas Festival (1997).

Wachet auf, ruft uns die Stimme ("Awake, calls the voice to us" or "Sleepers, Wake"), BWV 140, performed by the Galaxy Brass of the United States Air Force Band of the Rockies. Track 5 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1]

Johann Sebastian Bach (1685-1750): Choral prelude for organ ‘’Now comes the gentiles' Saviour’’ (about 1708-1717), BWV 659, Adagio, G minor, transcription for piano (1907-1909) by Feruccio Busoni (1866-1924), dedicated to José Vianna da Motta (1868-1948) in meantone temperament

Recording of the hams for christ net on 11/21/2020.

Droning sample of male vocals from a live noise music recording.

Sample from a guitar loop at a live noise music recording.

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Yeonju Sarah Kim an der Evangelienorgel im Dom zu Salzburg

Saved from drug addiction.

Sample of a slide guitar from a live noise music recording.

I have many reasons to be motivated trying to give thanks to him. I happened to focus one day on the prohet ezekiel. The book starts with describe kinda dream hje had. He he ard a tremendous roar and he saw god's "spacecraft" landing somewhere in today's iran. He described a vehicle that god uses for importantr matters. My sound is maybe better to be connected with 500,000 ton oil tanker. However, i decided to make the feeling 0f a enormous powwer, coming from the lord himself. So, enjoy this several minutes long file. I could see a smile in god's face, b ut he said nothing.

Example of a tonal answer in J.S. Bach's Fugue no. 16 in G minor, BWV 861, from the Well-Tempered Clavier, Book 1 Comienzo de ejemplo de una respuesta tonal en una exposición fugada. este fichero Midi corresponde a la exposición de la Fuga número 16 en Sol menor (BWV 861) extraído del libro 1 de la obra El clave bien temperado de Juan Sebastián Bach

Recording of someone reading john 3:16-18 on the 40m amateur radio band. This was recorded on 7. 263 during the hams for christ net. Recorded using a xeigu g1m connected to an old imac.

An audio representation of the pigs in the story of jesus casing out the unclean spirit "legion" - from mark 5:1-20. We created this to use as a part of acting out the skit - to experience how scary it would have been for the people in the town and those tending the pigs. Original sounds from:sound effects obtained from https://www. Zapsplat. Com "herd of pigs grunting and screaming madly" by smartsoundr27-12-heavy splashing in water. Wav by craigsmith on freesound. Org15y08m20_herd_of_horses 01 mixdown 1. Wav by n_audioman on freesound. Org.

1920 recording of Bach's Air for G string (Air on the G string) (BWV 1068, D major. arr). Violin solo by Joel Belov with piano accompaniment by Robert Gayler.

Recording of someone reading the lord's prayer and psalm 23 on an old ham radio.

Psalm 23:1 in morse code. Recorded on the 80m band. -. . . . . . -. . ---. -. -. . . . . . . -- -. --. . . . . . . . . --. . . . . . . -. -. . . . . . . . . . . . -. -. . . -. . -. --- -. --. - -. -the lord is my shepherd i shall not want.

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (2nd Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928